A total of twenty Honda CRF250R motorcycles were used for the opening motorcycle chase in the Bond movie Skyfall. This highly complicated scene is shot on the rooftops of Istanbul. The Bond bike was ridden by the Australian stunt rider Robbie Maddison. Watch the chase scene on YouTube.
We have another classic Bond film on our list. Ever since this movie every rider who has been cut off, including myself, wishes they had the rocket launchers fitted to the featured custom gold BSA. YouTube has the scene. It's short but delivers a memorable blast.
Born to Ride full movie in italian 720p
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This is the 3rd highest rated movie on IMDB. When they put the Batpod together no one could ride it, so they went to France looking for the stunt rider who pulled the amazing rooftop jump on the Beemer in Tomorrow Never Dies, Jean Pierre Goy, and he knocked it out of the park. With a memorable performance by Heath Ledger. Watch below.
This is the movie that turned Laurence Fishburne into a rider. When I interviewed Fishburne for BMW he said Stephen Baldwin was into Ducatis so they put some neat 916 riding scenes in Fled. Fishburne had to get an intro course in riding just so he can manage the bikes and he got hooked. Fled came out before his mega hit as Morpheus in The Matrix. 916 scene below.
This scene is fun to watch (except for the weird ending). When you finance real riders to make a motorcycle movie the result is terrible dialog but good riding shots. Here you have Ducs and Beemers ripping through streets of LA and it's really entertaining. Scene is below.
This action movie set in Japan is all about motorcycles, however, since Michael Douglas wasn't a rider the riding scenes aren't that exciting. This is of course way before the power of CGI would make Carrie-Anne Moss appear as an expert Ducati rider in Matrix 2, even though she had never ridden before. There is one really good scene, worked out by stunt riders, in CA wine country (their Japan shooting permit had expired by then) that's worth watching. Scene below.
There is a scene in No. 25 where James Caan's character beats the bumper-to-bumper traffic by riding a Montesa Cota 247 over a bunch of cars. That's the fantasy of every urban enduro rider of course. This was an expensive stunt heavy movie that actually paid off at the box office due to on screen chemistry of Caan and Arkin. Scene is below.
Biker: Hey man, this is our choppers, Charley. Clint: This is my gun, Clyde. Sondra: Do you know how to drive this thing? Clint: It's been a few years, we'll fake it. No. 29 is about the popular team of Clint Eastwood and Sondra Locke--they made 6 films together. Clint used to ride and put a few motorcycle scenes in his early movies. Here he's bullying a biker gang so he can grab a ride and get back to town with Sondra. If you watch the movie past this scene on YT, you'll see Clint do quite a bit of dirt riding on the chopper.
Nathalie is a versatile actress. She has Greek ,Colombian, Italian, Bavaria and British ancestry. She was born in Colombia and raised in Italy and Greece. She speaks fluent English, Italian, Spanish and Greek and she love's imitating accents.Curious at heart and determined to follow her creative calling, she dropped out of King's College London, giving up her scholarship and Pharmacy degree, to pursue a 3 year acting course at the prestigious, National School of Cinema in Rome, (Centro Sperimentale di Cinematografia).In 2006 she got her acting diploma and successfully began her acting career. Her outstanding performance in Italian feature films and major Italian TV networks, made her popular, capturing the attention of many Italian, American and British co-productions. She has won an 'Italian Golden Globe', for ''Best Upcoming Actress'' in feature film, ''Ultimi della Classe''.She made her Hollywood debut with feature film, ''Romeo and Juliette'' by Carlo Carlei and the successful Super Bowl's commercial,'' Fiat X-Blue Pill''.She has recently starred in international projects such as feature film 'Ride' (Netflix) and TV shows such as 'Sanctuary' (HBO Spain, Apple TV, Amazon Prime) , 'Devils' ( The Cw, Universal TV, Sky TV) and 'Penny On Mars Season 1 & 2' on (Disney Plus).Nathalie is currently based in Rome, Italy.
This does open up the opportunity for one of a pair of tributes to the amazing Texas Switch in Mario Bava's Shock--the one where a thing that is bigger than it looks can loom up over someone in whom we have invested some emotion. It's cool the first time it happens and less cool the next time--the law of diminishing returns something this series should consider as a whole. Now, it turns out this demon is not possessing Arne full-time for reasons to do with a bone totem Lorraine discovers in the crawlspace underneath David's waterbed. We know this because, in a largely unmotivated and extended flashback that stops the movie dead, we see David trying out his new waterbed. Actually, I do know why there's a flashback: because the screenwriter handbook says something has to happen every 15 minutes, and this flashback happens at the 30-minute mark. The problem with this "scary" scene is that it shows David recognizing his waterbed is haunted, but because of the opening sequence, we know he got possessed anyway. This means David slept on the fucking bed despite dire warnings, meaning he deserves to get possessed, the little fool. Lorraine takes pictures of the totem, and later another bone totem surfaces in Ed's office. Ed, who has had a heart attack and been in a coma for a while suddenly finds himself in the forest chasing after Lorraine, who has been possessed or at least overtaken by a vision of something terrible and almost runs off a cliff--but Ed grabs her in time. Phew!
There's a police procedural element where Lorraine does a Dalai Lama trick of picking out the right artifact to prove to credulous Sgt. Clay (Keith Arthur Bolden) that she's for real (Ed never doubted for a moment); a visit to creepy exposition dispenser Father Kastner (John Noble), who shows the Warrens his collection of evil books in his farmhouse basement; and a separate timeline depicting an early adventure (it's love) between Young Ed (Mitchell Hoog) and Young Lorraine (Megan Ashley Brown). I laughed with sweet delight when Lorraine, with a look of complete disgust, tells Father Kastner, referring to his collection, "You should burn all this." Farmiga's line delivery is perfect mom-in-her-dotage "lemme talk to your manager." Ed says in a no-nonsense daddy way, "I don't suppose you have all these books organized by the Dewey Decimal System, do ya?" Kastner launches into a story that includes a baby with its heart born on the outside--which, of course, is the same thing Glen says in Raising Arizona when relating the dire selection of adoptable babies in Maricopa County. Yes, Conjuring 3 is incredibly bad, completely incoherent, and also a hoot. I mean, settling in to watch it for this review, it took me an hour to realize I'd already seen it. But, look, there's a scene in a police station where something significant happens while an entire room full of cops responds to something they can't possibly see. Then the movie cuts to Elvis singing "Suspicious Minds" as Lorraine says she met Elvis once and Ed, in the back seat, smiles in an entirely unreadable way, leading me to think "orgy, probably" or "cuckold fantasy," but maybe I've just seen too many Patrick Wilson movies.
THE 4K UHD DISCThe first of the Conjuring movies to get a physical 4K release, find the 2.39:1, 2160p video transfer of this expensive, mainstream, big-budget, by-the-numbers tentpole franchise garbage horror movie to be predictably eye-shattering. Presented with HDR10, the image is purposefully dim, although enthusiastic highlights lend a ton of visual interest, like the twinkling, almost celestial lights above young Lorraine and Ed as they act moony in a gazebo. Shadows are credibly black while the wider colour gamut shifts the colour grade away from the slight teal lean of the accompanying Blu-ray towards a more brownish-purple reminiscent of Ektachrome--a palette that better suits the period vibe. Red light sources, for what it's worth, burn with a hellish intensity they lack in SDR. Fine detail is super-fine, with settings like Kastner's basement library so sharp I felt I could read the titles of every grimoire if only the camera would move a bit closer. It might be too tactile in places, veering dangerously close to motion-smoothing territory: The digital source, upconverted from a 2K DI for this presentation, is so frictionless it loses any chance of filmic texture. The attendant Dolby Atmos audio bears down on you in its 7.1 Dolby TrueHD mixdown, yet I can't help thinking that for a horror movie this reliant on deep atmosphere and jump-scares, it all comes off a little thin. The opening exorcism is the key exception, filling the room with wind, a weird sizzling noise that creeped me out almost more than the events on screen, and enough explosive volume to become immersive. While it's technically irreproachable, this track, the bar has been set high enough at this point that I'm disappointed, almost bored, by the mix proper. It lacks imagination, sharing that deficiency with the film itself.
Mario was sent a letter by Peach inviting him to celebrate the Star Festival, telling him there was something she wanted to give him. Unable to resist, Mario immediately left for the castle. However, Bowser and the Koopa Troop once again attack, lifting Peach's Castle into space via a huge spaceship, seemingly of alien origin, when Mario was about to get in. He is blasted into space by Kamek before he reaches Peach and is left for dead. He is found by the Lumas, who make him play a game of tag before explaining what is going on to him. Mario also meets the Luma's "mother" Rosalina, who agrees to help him fight Bowser and rescue Peach, whom she calls Mario's "special one". She reveals that Bowser attacked her Comet Observatory and stole all their Power Stars, leaving the Observatory in a state of darkness. Mario, being paired with a Luma that gives him a powerful spin attack, is tasked with getting all of the stars to get the ship moving. Along the way, he meets several monsters, other weird characters (including a cosmic doppelgänger), and meets up with a ragtag group of Toads and his brother Luigi. After successfully getting the Power Stars, the Observatory is able to get moving to Bowser's galaxy reactor where Bowser plans to create his own galaxy and rule "every pitiful corner of the universe". The two enemies fight in a massive battle (fittingly named "The Fate of the Universe"), and Mario wins, sending Bowser plummeting into the sun, saving Peach and taking his Grand Star. However, without the grand star powering up the sun, it causes an explosion leading to a massive black hole that pulls in everything and kills nearly everyone in its vicinity. All of the Lumas, including the one who accompanied Mario throughout his journey, are forced to sacrifice themselves to contain the black hole and recreate the universe, but not before the Luma waves goodbye to the plumber. After the massive explosion, Mario is protected by Rosalina, being the only one who survived it. She tells him that new baby stars are being born as a result. Afterward, Mario wakes up in the Mushroom Kingdom, only it is now a combination of all the worlds he visited. Additionally, everyone survived the black hole, though several of them do not remember anything. 2ff7e9595c
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