Blue Valentine is a 2010 American romantic drama film written and directed by Derek Cianfrance. Cianfrance, Cami Delavigne, and Joey Curtis wrote the film, and the band Grizzly Bear scored it. Blue Valentine depicts a married couple, played by Michelle Williams and Ryan Gosling, shifting back and forth in time between their courtship and the dissolution of their marriage several years later.
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Back at the motel, an annoyed Dean finds the note and shows up drunk at the clinic where he has another heated argument with Cindy. Dean punches Dr. Feinberg when he tries to intervene who then fires Cindy and kicks them both out. While leaving, Cindy demands a divorce making Dean throw away his wedding ring but they both attempt to look for it later. Back at her parents' house, Dean tries to persuade Cindy to give the marriage another chance for Frankie. Cindy says she doesn't want Frankie to grow up with parents who despise each other like she did. After Dean reminds Cindy of their vows, they both apologize and hug but she pulls away. Dean leaves the house while Frankie runs after him and begs him to stay. He tricks her to return to Cindy and then, continues walking away. The film ends with photos of Dean and Cindy in the early stages of their romance.
Williams was 21 when she received the script in 2002 and Gosling committed to the production four years later, but filming did not begin until 2009, when Williams was 28 (as was Gosling), owing to Cianfrance's inability to find financing. The director was also unable to film the "young" and "older" scenes several years apart as he had hoped, again due to lack of money.[3] The film was to be shot in California but production was moved to Brooklyn, New York and Honesdale, Pennsylvania. Since her partner Heath Ledger had died the year prior, Williams wanted to stay close to her Brooklyn home to take care of their[4] daughter, Matilda. Accordingly, the director chose Honesdale due to its proximity to Brooklyn. Filming began on 12 May 2009.
The film was shot in Super 16mm and Red One. The former was used for the pre-marriage scenes and the latter was used for the post-marriage scenes.[7]Andrij Parekh used only one professional light in the filming of the outside scenes, otherwise using only practical lights for the inside scenes.
While on The Hollywood Reporter Director's Roundtable, Cianfrance said that he had given up his entire director's fee to help fund the film: "I mean, it came down to we were exactly my fee short. They paid me and I just paid it back. So I still have to pay taxes on it, you know. So I actually had to pay to make the movie."[8]
One of the film's feature songs, "You and Me", which is presented as the couple's personal song, was originally recorded as a demo by a group called Penny & The Quarters for the obscure Prix Label of Columbus, Ohio in the early 1970s. It was re-released on a compilation album by the Numero Group in 2007 without the members of the group being identified.[9]
The film premiered in competition at the 26th Sundance Film Festival. The film was screened in the Un Certain Regard section at the 2010 Cannes Film Festival[10] and premiered at the Toronto International Film Festival on September 15, 2010.[11] In Australia, the film was released on December 26, 2010 through Palace Films.[12] In the United States, it was distributed by The Weinstein Company as a limited release on December 29, 2010.[13]
The film was released on DVD and Blu-ray on May 10, 2011. Special features include an audio commentary with director Derek Cianfrance, a making-of documentary, deleted scenes, and home movies.[19] The film has grossed $5,336,207 through US video sales.[20]
Blue Valentine received critical acclaim.[21] Rotten Tomatoes, a review aggregator, reports that 86% of 212 surveyed critics gave the film a positive review; the average rating is 7.80/10. The website's critical consensus states: "This emotionally gripping examination of a marriage on the rocks isn't always easy to watch, but Michelle Williams and Ryan Gosling give performances of unusual depth and power."[22] On Metacritic, the film has an average score of 81 out of 100 based on 42 reviews, meaning "universal acclaim".[23]
Roger Ebert of the Chicago Sun-Times gave the film 3.5 out of 4, and wrote: "Dean seems stuck. He seems to stay fixed at the initial stage. Can you see the difference between (1) 'He loves me as much as he always did', and (2) 'He loves me exactly like he always did'? ... I've read reviews saying Cianfrance isn't clear about what went wrong as they got from there to here. Is anybody?"[24]
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